Comments for Alex Gionis For some reason, I cannot open the file containing your paper using the Open Office software that I have on my HC computer today. This is supposed to be an open-source equivalent for the Microsoft Word, Powerpoint, Excel, etc. programs, but there are some incompatibilities that crop up from time to time, and your paper apparently has some feature that is causing a problem, or there is some problem with that whole program today. (It's actually an issue with the whole program as I'm finding out.) So I have to give you comments like this instead of being able to insert them directly in the source file for the paper. Sorry for the inconvenience. In your first sentence, I don't think it's quite as strong as a "must." The way our story-telling traditions have evolved, I think it's more of an expection that main characters in epics should undergo some sort of change. Your thesis is an interesting one -- I can see that the panel discussion influenced your thinking a great deal, but that is OK. page 1, line 10 -- Iliad has only one "ell" (it comes from another name for the city of Troy -- "Ilion" or "Ilium") middle of page 2 -- You say "every good king is humble," and add that kings need to know when to show strength and when not to. Aren't those really two different things, though? A truly humble person might never show strength, and might not even have any strength to show. Isn't knowing when to show strength and when not to show strength more like a form of wisdom? That wisdom can lead a good king to be humble in some circumstances, but not in others when strength is called for. There's more going on here than your discussion would indicate. And highlighting that might help you make your case better later on. The main comment I have is that while you suggest some good events in the story that could indicate that Odysseus has changed back into the good king and family man by the time he gets back to Ithaca, you haven't really analyzed why those episodes to indicate that what you are saying is true. For example, Odysseus's use of the disguise as a beggar certainly sounds humble and he certainly looks humble in the disguise. But couldn't this just be another instance of Odysseus's trickiness/craftiness (more or less exactly like the trick of the Trojan Horse back in the war)? What is different here? And can you square what you are saying with Odysseus's behavior when it comes time to win the contest to string his bow and then kill the suitors? What about the very last scene at the end of Book 24? Does that sound like Odysseus has regained wisdom? To be clear, I am not saying you are necessarily wrong. I just think you need to make better use of the evidence and interpret it in more detail to really make your case. Your writing is generally good, although there are few places where the tone sounds more like everyday speech than a formal paper. I'm thinking of things like the phrase "domestic mindset" on page 2, or "he lets it go" at the bottom of the page. Content/Evidence B Structure/Mechanics B+