The Midterm Exam covers homework assignments 1, 2 and 3, Chapters 6, 7 and 8 of *Music and Mathematics:
From Pythagoras to Fractals*, CD's 1 and 2, and all the material
discussed in class from the first day of class up to and including Friday, March 2.
It is highly recommended that you review homework problems and your class notes.
Many of the problems and questions we discussed in class are excellent examples of
test questions. Note that many of the class lectures are available in PDF
format from the course homepage.

A set of practice problems is available **here**.
The **solutions** are now available.
The exam will be designed to take 50 minutes
although you will have a full hour to take the exam.

** Note:** Calculators are not allowed for this exam. All calculations needed will
be doable by hand. A partial copy of a piano keyboard will be provided on the exam.

**Exam Review:** We will review for the exam during Monday's class on March 12.
Please come prepared with specific questions.

**The following concepts are important material for the exam:**

- Group Theory: Definition of a group (know and understand the 4 properties), examples of groups and non-groups (e.g., the integers are a group under addition but not multiplication), subgroup, S_n as a group, symmetries of the square (D_4, the dihedral group of degree 4)
- Musical Group Theory: translation (transposition), vertical reflection (retrograde), horizontal reflection (inversion), 180 degree rotation (retrograde-inversion), examples of each, be able to identify each in music, know how to apply each transformation to a given melody
- Change Ringing: general theory, 6 rules for an extent, verifying the rules, allowable moves, permutations, factorial, S_n, rounds, plain hunting, "factoring" an extent into its moves (e.g., [(ab)^3 ac]^3), Plain Bob Minimus and its connection to D_4
- Twelve-Tone Music: general theory, four types of rows, notation, know how to convert the prime row P-0 into other rows, identifying rows in music
- Composers: be sure to know several examples of how and where composers have utilized mathematical ideas in their works. You should also know some basic facts about composers who we have discussed in class or who appear on one of the CD's (approximate dates, style, personal history, etc.) A partial list: Bach, Beethoven, Haydn, Mozart, Gershwin, Liszt, Bartok, Schoenberg, Davies, Reich, Xenakis
- General Music Theory: notation, writing and reading music in different clefs (treble and bass), piano keyboard, half steps and whole steps, major scale, key signatures, circle of fifths, octave, intervals (2nd, 3rd, 4th, tritone, major, minor, perfect, etc.)
- Mathematical Concepts: permutations (multiplication of, inverse of), n factorial (n!), group theory (see above), group multiplication tables, working with identities, symmetry, modular arithmetic, magic squares, magic constant, phase shift